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It’s time for a new installment of Revive Music’s original literary series: Order is Everything! This is a how-to guide for music lovers looking to keep reading »

Dr. Lonnie Smith isn’t a conventional doctor; in fact, he’s not even a doctor at all by any sort of official certification. What governs his accreditation instead keep reading »

After concluding a European tour for his new release “Renaissance,” multi-instrumentalist and composer Marcus Miller sat down to talk with The Revivalist to make sense of his experience putting together a new band as well as delving into some history of his own. Between his early years growing up as a fast-rising studio musician to learning from the great Miles Davis, Miller gives us the rundown on his experiences. In Part 2, we see the progression of jazz through Miller’s eyes as well as the non-musical side of things.

After concluding a European tour for his new release “Renaissance,” multi-instrumentalist and composer Marcus Miller sat down to talk with The Revivalist to make sense of his experience putting together a new band as well as delving into some history of his own. Between his early years growing up as a fast-rising studio musician to learning from the great Miles Davis, Miller gives us the rundown on his experiences.

At 18, Stevie Wonder was still deeply invested in the hit machine known as Motown. It was, however, just that—a machine. There was an understanding that the process of music making was a mechanical endeavor—ostensibly manufactured. Under this theory of production, artists vanquished much, if not all of their creative freedoms for the sake of well-tested, radio friendly records. For Stevie, this changed in 1970 when he, at the markedly young age of 20, leveraged his own potential, gaining the first Motown contract proving complete artistic autonomy.