It’s safe to say that most of us have already gone through the rounds of hearing Edward Elgar’s number one hit while sitting through boring keep reading »
Blue Note Records recording artist Takuya Kuroda premieres the title track video to his recent record debut, “Rising Son,” produced by José James. “Rising Son” features keyboardist Kris Bowers, keep reading »
A voice of the new age, Takuya Kuroda gears up for his Blue Note Records debut on February 18th with the release of Rising Son produced keep reading »
Trumpeter and composer Ambrose Akinmusire is getting ready to add to his already distinguished discography with the March 11th release of his latest Blue Note keep reading »
Jesse Fischer and Takuya Kuroda sat down ahead of their show later this week to ask each other some burning questions that have been on their minds before having an impromptu jam at the Motherbrain studio in Brooklyn.
We’ve long been singing the praises of the the live band José James has out together, but this is just on another level. James and crew headed out to Amsterdam to team up with Amsterdam’s Koninklijk Concertgebouworkest (The Royal Concertgebouw Orchestra) for a performance captured by Het Radio 4 Concerthuis.
This week José James performed “Trouble” off of his upcoming album No Beginning, No End on the Conan O’Brien Show. As always it was a stellar performance with his band that boasts Kris Bowers on keys/piano, Solomon Dorsey on bass, Nate Smith on drums, Takuya Kuroda on trumpet, and Corey King on trombone. This is without a doubt one of the baddest live bands around now.
As we prepare to release some tracks from Takuya Kuroda’s upcoming album entitled Six Aces, we are excited to release an exclusive documentary-short featuring a day in the life of Kuroda, specifically May 18th, 2012. Shot by the talented Ryosuke Tanzawa, the video follows Kuroda from sunrise to sunset through recording, practicing, hanging with friends, mixing, and more.
Our feature media for the day features the full concert stream of Jose James performing the music of Billie Holiday in Belgium Ancienne Belgique. Throughout the 88 minutes and 54 seconds, James and his band re-interpret the beautiful yearning and raw emotion Billie Holiday possessed in her voice and music. The group does a nice job of staying true to the music while still making it their own.
I think it’s just different with jazz. Once you decide you’re going to do jazz, you realize it’s going to take you your whole life to do anything original and to get to a level that’s anywhere close to Ella, or Miles or any of these people, stylistically. I think anybody who thinks they’re, like, soaking in right away, is just not going to last long in jazz. It’s a whole different mindset. I wasn’t thinking about making a record, because I didn’t have anything original to say. I just wanted to learn the standards, and that takes years of practice and jam sessions and buying real books and trying to figure out what people are doing. It’s like trying to unlock a code.